Which Literature paper is your child sitting?
Check the subject combination or ask the Literature teacher, because the number of papers differs.
Written by Tan Hong Ting · Reviewed by Theon Teo, Founder · editorial policy
How the 2027 SEC Literature in English exam works: the two papers, the nine set texts SEAB lists, how each 25-mark answer is banded, an unseen poem we wrote with a model paragraph, a Romeo and Juliet paragraph, and a term-by-term plan for Sec 3 and Sec 4.
Check the subject combination or ask the Literature teacher, because the number of papers differs.
| Paper | Section | What your child answers | Weight |
|---|---|---|---|
| Paper 1, 1 h 40 min | A: Prose | One question on their prose text, passage-based or essay | 25% |
| Paper 1 | B: Unseen Poetry | One question on one of two printed poems | 25% |
| Paper 2, 1 h 30 min | Drama passage | One compulsory passage-based question on their play | 25% |
| Paper 2 | Drama essay | One of two essay questions on the same play | 25% |
SEAB sets no time per answer. We suggest about 50 minutes per Paper 1 answer and 45 per Paper 2 answer.
For K337, the Literature paper matches K331 Paper 1 and is worth 50% of the Humanities grade. Social Studies is the other 50%.
Schools pick one prose text and one play from these lists, so your child studies two texts, not nine.
| Prose (Paper 1) | Drama (Paper 2) |
|---|---|
| How We Live Now, edited by Yu-Mei Balasingamchow | "Master Harold"...and the boys, Athol Fugard |
| All the Light We Cannot See, Anthony Doerr | The Royal Hunt of the Sun, Peter Shaffer |
| Lord of the Flies, William Golding | Romeo and Juliet, William Shakespeare |
| Roll of Thunder, Hear My Cry, Mildred D Taylor | Everything but the Brain, Jean Tay |
| The Chrysalids, John Wyndham |
K337 uses the prose texts only. SEAB bars screenplays and abridged versions, so a film is no substitute for the book. The list carries on in 2028 for Sec 5 students and retakers. SEAB has not said it stays the same for students starting Sec 3 in 2027, so check with the school before buying books.
SEAB lists five assessment objectives and marks them together. In our words, your child must show that they:
Objective 3 is the hardest to show. "The writer uses a simile" earns little. Saying what the simile makes the reader see or feel is analysis.
Our summary of SEAB, K331 G3 Literature in English syllabus for 2027.
The lower bands describe answers that are "largely narrative", and the lowest includes "obviously prepared scripts". A memorised essay is marked down.
Unseen answers use the same 25-mark ladder. The top band asks for "freshness of insight" and a sensitive personal response, while an answer that mostly paraphrases the poem sits around 12 to 14.
This practice poem is ours, set in Singapore because one unseen question each year is on a Singapore text.
Void Deck, 11 p.m.
The lights hum their one long note
over the stone table where the uncles played
until the board went quiet and the chairs
were stacked like folded hands.
A cat crosses the tiles without a sound,
owner of everything nobody is watching.
Upstairs, a hundred windows close their eyes.
Only the lift keeps working, rising
and falling, rising and falling,
carrying no one home.
In the morning the chess pieces will return
in a plastic bag, still warm from someone's pocket.
Practice question: How does the poet make the void deck at night seem both lonely and alive?
Model paragraph:
[A] The poet makes the void deck feel lonely by showing a machine still working after its purpose has gone. [B] The lift "keeps working, rising / and falling, rising and falling", and the repeated phrase, split across a line break, makes the reader rise and fall with it, so the movement feels endless and tired. [C] "Only" isolates the lift as the last moving thing in the estate, and "carrying no one home" is the shortest line in the poem. Its brevity matches its emptiness. [D] Yet the poem refuses to end there. The chess pieces "still warm from someone's pocket" bring back human touch, and "will return" turns the night into a pause rather than an ending. [E] The void deck is lonely at 11 p.m., but the poet suggests it is only waiting for its people.
Why it would score well:
Romeo and Juliet is on the 2027 list and in the public domain. The question is ours.
Practice question: How far does Shakespeare present Romeo and Juliet's love as dangerously hasty?
Model paragraph:
Shakespeare presents the lovers' speed as thrilling but dangerous, and he lets Juliet herself voice the warning. On the balcony she calls their vows "too rash, too unadvised, too sudden", and the triple "too" piles up her doubts at the very moment she is falling in love. Her simile, "Too like the lightning, which doth cease to be / Ere one can say 'It lightens'", is double-edged. Lightning is brilliant, but it is gone before it can be named, which foreshadows how briefly they will be together. Friar Laurence's "they stumble that run fast" turns Juliet's private fear into a general rule. Because the Prologue has already called them "star-cross'd", these warnings create dramatic irony: the audience knows the speed will cost them their lives, while the lovers keep running.
Each short quotation is followed by what the words do, linking language (the simile), structure (a second voice repeats the warning) and form (dramatic irony).
Here is the same point the way many Sec 3 students first write it.
Retelling paragraph: In Act 2, Romeo goes to Juliet's balcony after the party. Juliet says their love is too sudden and compares it to lightning. Then Romeo asks Friar Laurence to marry them, and the Friar tells him to go slowly. This shows their love is hasty. Later they both die, which shows being hasty was dangerous.
| Point | Retelling | Analysis |
|---|---|---|
| First sentence | Says where we are in the plot | Makes an argument that answers the question |
| Quotations | Paraphrased, so the words disappear | Short exact quotations, each examined |
| Link to the question | Only at the end | In every sentence |
| Likely band | Around 12 to 14, "largely narrative" | Higher bands, if sustained across the essay |
The fix is a habit. Ban sentences beginning with "Then". Open every paragraph with a claim, and after every quotation ask what the word does.
Each school sets its own scheme of work. This plan assumes the prose text starts in Sec 3 and the play by the end of Sec 3.
Term dates are MOE's. SEAB had not published 2027 Literature paper dates as of 26 October 2026.
G2 uses the same papers, timings, texts and objectives as G3. The difference is the band table. SEAB describes a G2 top-band answer (21 to 25) in the words it uses for the G3 second band (18 to 20): well focused, some sense of how the author works, occasional lapses into narrative. The bar for each mark is lower. Our guide to how the SEC replaces the O-Level explains G2 and G3.
No. The school chooses one prose text and one play from SEAB's list. In the exam your child chooses between the questions set on those texts.
It prints an extract from the play your child studied, and it is compulsory. Your child then writes one essay on the same play from a choice of two.
A new poem every week, including Singapore poems. Ten minutes of annotation before writing matters more than knowing many poems.
No. SEAB's lowest band includes "obviously prepared scripts". Memorise short quotations and arguments that can bend to different questions.
It is shorter, not easier. K337 has the same prose and unseen questions and bands as K331 Paper 1, but no drama.
SEAB sets no number. A working target is 8 to 10 short quotations per text, each linked to a character or theme.
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